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Seasonal programme

Punta Mita winter residency

Fourteen days on Mexico’s Pacific coast where the point break and the tea table share a single rhythm — slow, deliberate, and never forced. An oolong-led programme designed around dawn patrols, cold-brew hydration, and sunset rooftop tastings with resident master Mei Yang.

Runs 8–22 January 2027

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Where the point break meets the tea table

The Pacific delivers its cleanest lines in January. At Punta Mita, the northern swells wrap around the point and peel across the reef with a patience that feels almost intentional — a rhythm that asks you to slow down and read the water, not chase it. The light at dawn comes through the palm fronds in slats, catching the steam that rises from a porcelain gaiwan on the rooftop. This is the premise of the winter residency: fourteen days of surf and tea, each informing the other through a shared logic of timing, temperature, and attention.

Mei Yang, resident master and senior tea expert at tea.surf, designed the programme around oolong — the category that sits between green and black, partial oxidation yielding teas that reward multiple steepings and close observation. Each morning begins with a session at the point, followed by a rooftop tasting where the day’s oolong is brewed in gaiwans carried from the tea.equipment workshop in Jingdezhen. The first tea of the residency is always Mí Lán Xiāng (蜜兰香), a Dancong oolong from the Phoenix Mountains whose honey-orchid fragrance unfolds across seven infusions — the leaves softening incrementally, much like muscles after a long paddle. The gaiwan lid, still warm from the pour, weighs almost nothing in the palm.

Afternoons are unstructured by design. Some guests take a second surf at La Lancha or Burros; others sit with their notebooks and a thermos of the morning’s tea, now cold-brewed in the bottle that tea.surf developed for exactly this purpose — a narrow-mouth vessel that keeps leaf particles out of the water and fits in a board bag without ceremony. The cold-brew method draws out the oolong’s stone-fruit body without the astringency that hot water can amplify, making it a useful post-surf hydration tool when the body needs replenishment but not temperature shock.

Evenings return to the rooftop, where the salt on the skin has dried to a fine white powder by sunset. The residency’s second week introduces Tiě Guān Yīn (铁观音) from Anxi, its orchid-green character arriving lighter and more floral than the Dancong. Mei Yang leads comparative tastings — same vessel, same water temperature, different leaf — and the conversation tends to drift toward what surfers already know intuitively: that small variables change everything. The angle of a fin. The pour height from a kettle. The way you sit on your board between sets. These exchanges spill over onto tea.community, where past residents post their own notes and keep the thread alive through the seasons.

For those who want to go deeper, tea.school offers a companion curriculum that can be completed remotely during the residency or in the weeks that follow — a structured introduction to oolong processing, from zuò qīng (做青) to the precise roasting stages that define each tea’s finish. The curriculum is not required, but several past residents have found that reading the theory alongside the daily practice sharpens both. A few have gone on to join tea.travel programmes in the Phoenix Mountains themselves, tracing the Dancong back to its source.

The residency closes with a dawn session — no tasting notes, no comparison, just a single pot of the tea each guest has gravitated toward across the fortnight. By then, the point feels familiar and the gaiwan lid settles into the hand without thought. Two weeks is not a long time, measured against the Pacific. But it is enough to reset a rhythm, and the sound of water pouring from kettle to cup carries the same steady cadence as a set rolling through the reef.

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